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Dragons usually with five claws on each foot were a symbol for the emperor in many Chinese dynasties. During the Qing dynasty, the imperial dragon was colored yellow or gold, and during the Ming dynasty it was red.
During the late Qing dynasty, the dragon was even adopted as the national flag. Dragons are featured in carvings on the stairs and walkways of imperial palaces and imperial tombs, such as at the Forbidden City in Beijing.
In some Chinese legends, an emperor might be born with a birthmark in the shape of a dragon. For example, one legend tells the tale of a peasant born with a dragon birthmark who eventually overthrows the existing dynasty and founds a new one; another legend might tell of the prince in hiding from his enemies who is identified by his dragon birthmark.
In contrast, the Empress of China was often identified with the Chinese phoenix. Worship of the Dragon God is celebrated throughout China with sacrifices and processions during the fifth and sixth moons, and especially on the date of his birthday the thirteenth day of the sixth moon.
Dragons or dragon-like depictions have been found extensively in neolithic-period archaeological sites throughout China. Some of earliest depictions of dragons were found at Xinglongwa culture sites.
Yangshao culture sites in Xi'an have produced clay pots with dragon motifs. A burial site Xishuipo in Puyang which is associated with the Yangshao culture shows a large dragon mosaic made out of clam shells.
The Hongshan culture sites in present-day Inner Mongolia produced jade dragon objects in the form of pig dragons which are the first 3-dimensional representations of Chinese dragons.
One such early form was the pig dragon. It is a coiled, elongated creature with a head resembling a boar. Chinese literature and myths refer to many dragons besides the famous long.
The linguist Michael Carr analyzed over ancient dragon names attested in Chinese classic texts. Fewer Chinese dragon names derive from the prefix long Chinese scholars have classified dragons in diverse systems.
For instance, Emperor Huizong of the Song dynasty canonized five colored dragons as "kings". Further, the same author enumerates nine other kinds of dragons, which are represented as ornaments of different objects or buildings according to their liking prisons, water, the rank smell of newly caught fish or newly killed meat, wind and rain, ornaments, smoke, shutting the mouth used for adorning key-holes , standing on steep places placed on roofs , and fire.
Each coin in the sets depicts one of the 9 sons, including an additional coin for the father dragon, which depicts the nine sons on the reverse.
Early Chinese dragons are depicted with two to five claws. Different countries that adopted the Chinese dragon have different preferences; in Mongolia and Korea, four-clawed dragons are used, while in Japan , three-clawed dragons are common.
The Hongwu Emperor of the Ming dynasty emulated the Yuan dynasty rules on the use of the dragon motif and decreed that the dragon would be his emblem and that it would have five claws.
The four-clawed dragon would be used typically for imperial nobility and certain high-ranking officials.
The three-clawed dragon was used by lower ranks and the general public widely seen on various Chinese goods in the Ming dynasty. The dragon, however, was only for select royalty closely associated with the imperial family, usually in various symbolic colors, while it was a capital offense for anyone—other than the emperor himself—to ever use the completely gold-colored, five-clawed Long dragon motif.
Improper use of claw number or colors was considered treason, punishable by execution of the offender's entire clan. During the Qing dynasty , the Manchus initially considered three-clawed dragons the most sacred and used that until when it was replaced by five-clawed dragons, and portraits of the Qing emperors were usually depicted with five-clawed dragons.
In works of art that left the imperial collection, either as gifts or through pilfering by court eunuchs a long-standing problem , where practicable, one claw was removed from each set, as in several pieces of carved lacquerware ,  for example the well known Chinese lacquerware table in the Victoria and Albert Museum in London.
The number nine is special in China as it is seen as number of the heaven, and Chinese dragons are frequently connected with it. This is also why there are nine forms of the dragon and there are 9 sons of the dragon see Classical depictions above.
The Nine-Dragon Wall is a spirit wall with images of nine different dragons, and is found in imperial Chinese palaces and gardens. Because nine was considered the number of the emperor, only the most senior officials were allowed to wear nine dragons on their robes—and then only with the robe completely covered with surcoats.
Lower-ranking officials had eight or five dragons on their robes, again covered with surcoats; even the emperor himself wore his dragon robe with one of its nine dragons hidden from view.
The Dragon is one of the 12 animals in the Chinese zodiac which is used to designate years in the Chinese calendar.
It is thought that each animal is associated with certain personality traits. Dragon years are usually the most popular to have children. There are more people born in Dragon years than in any other animal years of the zodiac.
In this context, the Azure Dragon is associated with the East and the element of Wood. At special festivals, especially the Duanwu Festival , dragon boat races are an important part of festivities.
Typically, these are boats paddled by a team of up to 20 paddlers with a drummer and steersman. The boats have a carved dragon as the head and tail of the boat.
Dragon boat racing is also an important part of celebrations outside of China, such as at Chinese New Year. A similar racing is popular in India in the state of Kerala called Vallamkali and there are records on Chinese traders visiting the seashores of Kerala centuries back Ibn Batuta.
On auspicious occasions, including Chinese New Year and the opening of shops and residences, festivities often include dancing with dragon puppets.
These are "life sized" cloth-and-wood puppets manipulated by a team of people, supporting the dragon with poles. They perform choreographed moves to the accompaniment of drums, drama, and music.
They also wore good clothing made of silk. In Chinese symbolism, it is a feminine entity that is paired with the masculine Chinese dragon, as a visual metaphor of a balanced and blissful relationship, symbolic of both a happy marriage and a regent's long reign.
The tiger is considered to be the eternal rival to the dragon, thus various artworks depict a dragon and tiger fighting an epic battle.
A well used Chinese idiom to describe equal rivals often in sports nowadays is " Dragon versus Tiger ". In Chinese martial arts , " Dragon style " is used to describe styles of fighting based more on understanding movement, while " Tiger style " is based on brute strength and memorization of techniques.
The elm cultivar Ulmus pumila 'Pendula' , from northern China, called 'Weeping Chinese Elm' in the West, is known locally as Lung chao yü shu : 'Dragon's-claw elm' owing to its branching.
While depictions of the dragon in art and literature are consistent throughout the cultures in which it is found, there are some regional differences.
For more information on peculiarities in the depiction of the dragon in other Asian cultures, see:. Nine-Dragon Wall , Datong detail. From Wikipedia, the free encyclopedia.
For the airlines, see Loong Air. Main article: Longshen. Main article: Yellow Dragon. Main article: Nine sons of the dragon.
Main article: Dragon zodiac. See also: Five elements Chinese philosophy. Main article: Dragon boat. Main article: Dragon dance.
See also: Fenghuang. Non-Imperial Chinese dragon in Shanghai. An Instinct for Dragons , hypothesis about the origin of dragon myths. Chiang Mai: Cognoscenti Books.
Kyoto National Museum. Beyond the Legacy of Genghis Khan. Brill Academic Publishers. Routledge publishing. Ultravisum, Walsh An introduction to Chinese culture through the family.
State University of New York Press. Ten Speed Press. Dinosaurian Faunas of China. China Ocean Press, Beijing.
BBC News Online. Retrieved Nature , : — Verhandelingen der Koninklijke akademie van wetenschappen te Amsterdam. Afdeeling Letterkunde. Nieuwe reeks, deel xiii, no.
Amsterdam: Johannes Müller: Researches into Chinese Superstitions. Translated by M. Kennelly; D. Finn; L. The Greeks in Asia. Thames and Hudson.
The Chinese Dragon. Shanghai, China: Commercial Press Ltd. Shanghai People's Publishing House, Published on Jun 22, An Olm Proteus anguinus swimming in an underground stream, hidden in the Slovenian carstic landscape.
Published on May 12, Austropotamobius spp. Heavy rains of Slovenia would wash the olms up from their subterranean habitat, giving rise to the folklore belief that great dragons lived beneath the Earth's crust, and the olms were the undeveloped offspring of these mythical beasts.
In The Glory of the Duchy of Carniola, Valvasor compiled the local Slovenian folk stories and pieced together the rich mythology of the creature and documented observations of the olm as "Barely a span long, akin to a lizard, in short, a worm and vermin of which there are many hereabouts".
Baker, Nick. A fisherman in Inner Mongolia, China captured what looks like a real Chinese dragon. The dragon has since been transported to Beijing for further studies.
Hoax Confirmed On 24 June , a video was uploaded to YouTube with the intent of proving that a white dragon had indeed been shot and killed in Malaysia.
Unfortunately, the hoaxsters behind the video failed to remove images of this dragon sculpture being created in an art studio:.
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